I think I’ve always had a bit of fascination with the concept of a violent woman. When I was around 11 or 12 years old, I watched a film that would change my life for the first time, Princess Mononoke. Directed by acclaimed Japanese animation filmmaker, Hayao Miyazaki, an exiled prince falls into an epic battle between monsters and gods. It’s a deep, complex story with no clear black and white sides and no character interested me more than Lady Eboshi, one of the main antagonists in Mononoke.
The Romanticization of Female Rage
The Romanticization of Female Rage
The Romanticization of Female Rage
I think I’ve always had a bit of fascination with the concept of a violent woman. When I was around 11 or 12 years old, I watched a film that would change my life for the first time, Princess Mononoke. Directed by acclaimed Japanese animation filmmaker, Hayao Miyazaki, an exiled prince falls into an epic battle between monsters and gods. It’s a deep, complex story with no clear black and white sides and no character interested me more than Lady Eboshi, one of the main antagonists in Mononoke.